Who This Course Will Help
This course is for people who are struggling to increase the conflict and tension in their scenes. If the book is feeling flat, or editors and readers are saying there isn’t enough conflict, this course will help. This course will cover the difference between conflict and tension, how to create conflicts that aren’t just arguments, and developing conflict from your characters. Conflict is what keeps the engine of the plot moving, and keeps the reader turning the pages.
We will cover the basics of both external and internal conflict. Learning the difference between these, how they interrelate, and how they impact the novel, is vital. You will also get to know your characters better through this process—what their fears are, what their needs are, and what roadblocks are in their way. If you are in the middle of a book and feeling stalled, this course will help you get the novel back on track. By the end of this course, you will have the tools you need to create more powerful scenes.
What This Course Specifically Teaches
- Basics of conflict—what it is and isn’t
- Determining internal and external conflict from the characters and plot
- Deepening conflict on every page
- How to analyze novels and scenes you read to pinpoint the conflict
The course is broken down into two units. Each unit is accompanied by several handouts that build on the one before. You can start using the information immediately for your current work. Questions will be answered within the private Facebook group.
Unit One will be about getting the basics down. We will start with discussing what conflict is, how to find it in a scene, and what the difference is between internal and external conflict. Students will be asked to look at their own work and determine the main characters’ internal and external conflicts.
- Goal Motivation Conflict
- GMC Analysis Worksheet
- Plotting Basics
- Conflict: What It Is and Isn’t
Unit Two will take conflict to a deeper level. We will go over the difference between tension and conflict, analyze conflict and tension in scenes, and see how well-placed hooks can build in additional tension for the book.
- Conflict: The Missing Link
- Tension vs. Conflict
- Pacing Your Novel
About Shirley Jump
When she’s not writing books, New York Times and USA Today bestselling author Shirley Jump competes in triathlons, mostly because all that training lets her justify mid-day naps and a second slice of chocolate cake. She’s published more than 60 books in 24 languages, although she’s too geographically challenged to find any of those countries on a map. Visit her website at www.ShirleyJump.com for author news and a booklist, and follow her on Facebook at www.Facebook.com/shirleyjump.author for giveaways and deep discussions about important things like chocolate and shoes.